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Archive for the ‘Kindle’ Category

The Cyborg(1)

 

Just as in every short story collection there’s usually one that causes the writer a great deal of difficulty, I imagine there’s also one the writer likes above all the others. This is certainly the case with me. “The Cyborg’s Story”, originally published as “Roses” is definitely my favourite short story—of the ones I’ve written, that is. My favourite short story ever is “Catman”, by Harlan Ellison, a wonderful story, which incidentally has nothing really to do with cats.

Published in the Australian sci-fi/fantasy magazine Aurealis in 1999, “Cyborg” tells the story of Michael 64, a winged cyborg security expert hired by Thurston, the human Director-General of Genetic Engineering, to guard Azuria 27, a famous winged cyborg dancer, whom Thurston has operated on so that she can pass for human. Such a procedure is illegal in 2175, the year in which the story is set. Azuria is secretly in love with a man called Elliott. She thinks she is making the change for love, but Thurston has much bigger plans; he is a man who believes that humans are merely a link in the evolutionary chain towards cyborgs. Michael, who starts out in the story as a hardened security expert addicted to Blue Monday, an off-world drug imported illegally at exorbitant cost, ends up in love with Azuria and saddled with the problem of whether or not to out Thurston and his plan for cyborg supremacy.

I had a heck of a time getting this story published in Aurealis in 1999. Dirk Strasser, the editor, had a strict 6,000 word policy for submissions, and the story was 7,000 or thereabouts. He wouldn’t budge as a matter of principle, although he liked it. I sweated some more and managed to get it down to where it is now: 6,350 words. Beyond that, I couldn’t go; I was right down on the bones of the story. Desperate, I sent it back to Dirk, with 6,000 words printed on the title page, and he accepted it. Whether he knew it was really longer, I’ll never know, but honour had been satisfied and the story then called “Roses” saw the light of day. It’s the only sci-fi story I ever wrote. Or ever will.

It’s a very soft story, a mix of love story and mystery. Perhaps that’s why I like it so much. I get bored very quickly with most genre writing, demanding as it does a devotion to straight line narrative, and often lacking any sense of something bigger, particularly in the area of characters and their relationships.

Anyway, here is is, my favourite of them all: “The Cyborg’s Story” aka “Roses”. Only one more to go and I will be able to start working on the collection. “Cyborg” is available for 99c at:

Smashwords:   https://www.smashwords.com/books/view/524901

and Amazon:   http://www.amazon.com/dp/B00UE3NKHI

I hope you like it as much as I do,

Dani

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Novel under const'n

 A few days ago I was surprised to receive an email from Carol Middleton, an Australian award-winning writer, and a reviewer for the prestigious Australian Book Review. In the email Carol invited me to join the Writing Process Blog Tour, in which writers are invited to reply to four questions about their writing process and then pass the baton on to another writer/s.

Many thanks to Carol for inviting me to contribute to this tour, which in its construction is like a chain letter but nice. You can see Carol’s Writing-Process Blog published Monday 12th at http://carolmiddleton.com.au/wordpress

Here goes.

 

 

What am I working on?

Having put my first novel out on Amazon and Smashwords last year, I decided to try to get myself a bigger presence on the web by putting up a short story a month in 2014. Being the digital klutz that I am, it took me three months to learn enough to put up my first story Busting God, now available at: www.amazon.com/dp/B00J8ZIE8S. I’m now working on formatting my second story Remains to be Seen, which follows the fortunes of Busting God’s hero as he tries to recover from the post-traumatic stress caused by his participation in the Vietnam War.

I’m a tortoise, very slow at everything I do, and not very comfortable on the web. However, I’ve decided that having a higher profile there will help my novels eventually, so I’m nailed to the cross of formatting these twelve short stories for the remainder of 2014.

How does my work differ from others of its genre?

How to answer this question? My short stories were published in such diverse places, ranging from Penthouse to Aurealis to the Australian Women’s Weekly. Each time I adapted my basic writing style to suit the market — I was a single parent and I needed the money. My only novel published so far is MagnifiCat: www.amazon.com/dp/B00H0ORWQY a strange little animal fantasy about a family of cats who find themselves on the poverty line in a small country town in New South Wales, Australia. In it I aimed to produce a kind of Wind in the Willows for adults. To what extent I succeeded is hard to gauge. The novel’s definitely not satire; it’s more like a fairy tale for adults, with an underlying heavy core that makes it adult fiction, though I plan to release a children’s version of it in 2015, minus the alcohol and the angst.

Why do I write what I do?

In my case there are two answers to this. The short stories were written either for money — publication or competition money — or to add to my literary CV. In the novels, however, I get to please myself. And I notice that what comes though in all of them (I have another four in various stage of development) is a desire to nail down a particular time and place that’s now long gone. You could say I’m obsessed with transience, and writing about these places is my way of trying to keep them alive in people’s memories after they’ve disappeared under the bulldozer of progress. My Queensland novel is set in Brisbane in the early 1960s; MagnifiCat is set in Byron Shire in the mid-1980s, and somewhere in the dim future, should I live that long, I’d like to write a novel set in Brisbane during WWII. It’s as if I’m saying to readers, Remember how it was. Don’t forget this.

How does my writing process work?

I write first draft material in the morning, while I still have some contact with my unconscious. Editing, a completely different process requiring a different part of the brain, I can do any time. I never work after dark unless I have an editing job or a manuscript appraisal for another writer and the deadline is looming.

To me, producing first-draft material is like digging semi-precious stones out of the ground, while editing is like polishing those stones into something people might find beautiful or useful. Basically, I want my writing to entertain, to make people happy. At the risk of sounding overly ambitious (or merely quaint), I’d like it to give people hope. Life can be tough sometimes.

 

The writer I’ve asked to continue the Writing Process Blog Tour on Monday 26th is Ed Griffin, a Canadian novelist and prison reformer. Ed taught creative writing in prisons for many years. He blogs at:

prisonuncensored.wordpress.com

Check him out on Monday 26th.

 

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bustinggod(2)

A long, long time ago, back in the early ‘90s, I had my first short story published in a national magazine. My children and I were over the moon: the money (AU$1,500) was astronomical in those days. A few years later, I decided to see if I could crack the same market again—after all, $1,500 never goes astray.

I’d just read Narc! Inside the Australian Bureau of Narcotics by Bernard Delaney, who was a senior investigator in the narcotics bureau for some years before becoming Commander for the Southern Region of Australia. So I wrote this 5,000 word short story about an undercover narcotics agent, basing the procedures on Delaney’s book. After the usual eight drafts, I submitted it to the editor who’d accepted my previous story. My timing was bad. A week after I submitted the story, the magazine was sued for defamation. In the chaos that ensued, ‘Busting God’ went nowhere. I put it away and concentrated on the next draft of my Brisbane novel. Some twenty years later, I sent the story to an Australian magazine called Blue Crow, edited by Andrew Scobie, who accepted it enthusiastically.

Now that I‘ve decided to put all my work up online before I fall off the perch (it seems safer than wrapping it in ‘fireproof’ material and putting it in the tin trunk, but I might be wrong), I gave the story yet another draft and put it up on Amazon and Smashwords. In brief, it’s the story of an aging undercover agent who, along with his long-time Vietnam buddy Baby Johnson, is sent to the Northern Rivers of New South Wales to bust a heroin dealer everyone up there calls God because he’s so big. Apart from successfully running God to earth, the major conflict in the story takes place in the hero’s head. Will he stay in law enforcement or get out before his slowing reflexes get him killed? That’s the main idea behind the story, and the idea that leads to the next story I’m putting up in three weeks time, this time for free, called ‘Remains to be Seen’. As part of my plan to try to save the work before I drop off the perch, I plan to put up another eleven stories on the web this year, half of them for sale, half for free. This one has a price on it, but I chose the lowest price both sales sites would allow.

‘Busting God’ is one of the three favourite stories I’ve written; there’s a lot of tongue-in-cheek humour. It’s also the first thing I’ve ever formatted. Being the digital klutz that I am (oh yes, I am — see my previous post on this subject at: https://danielledevalera.wordpress.com/2013/09/17/for-all-you-luddites-out-there/, formatting that story took me a long time and I’m so chuffed that I managed to do it. I was further encouraged by fellow writer C S McClellan, who did the you-beaut cover for me. Thank you so much, Connie; designing an ebook cover is way out of my league.

If you’ve got a moment or so, pop over and take a look at ‘Busting God’. You can read about 30% for free at either:

https://www.smashwords.com/books/view/416303

or www.amazon.com/dp/B00J8ZIE8S

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Internet friend Ed Griffin continues his run of prison reform novels with Delaney’s Hope, an upbeat idea for a new kind of prison.

Delaney's Hope coveAvailable at: http://www.amazon.com/Delaneys-Hope-Ed-Griffin-ebook/dp/B00GFGEBMG

In this guest blog Ed talks about the wellsprings of his hope for reforms and the novels in which he’s put forward these ideas.

Ed Griffin:

I am interested in prison reform. This is a direct result of teaching writing in prison for twenty years. It’s an indirect result of my education and service as a Roman Catholic priest for five and a half years. I heard the message of the gospel that we were to care for the “least of the brethren.” In my opinion, there wasn’t anybody more least in our society than a federal inmate.

I left the priesthood a few years after marching in Selma with Doctor Martin Luther King. That’s another story, relayed in my non-fiction book, Once A Priest.

I’ve written a lot about prison reform. My first novel, Prisoners of the Williwaw, is a story about Frank Villa, who convinces the US Government to put 300 hardened convicts on an island with their families and let them rule themselves. The federal government has finally realized that they can’t keep paying for prisons. Right now it costs $100 a day to keep a man in prison. So they let Frank Villa have an abandoned Naval base on the island of Adak in the Aleutians. No guards will be on the island, but the US Coast Guard will patrol the waters around Adak, and they will shoot to kill.

Half way to Russia and caught between the Pacific Ocean and the Bering Sea, it rains and snows 85% of the time on Adak. In addition, a fierce wind called a Williwaw builds up behind the mountains and smashes down on houses, equipment and even children. In World War II, the weather killed more soldiers than the enemy did.

Frank also faces a convict who plans to use this situation to his own advantage. He knows that each convict leaves prison with $200. He’s eager to help them spend it.

Can convicts rule themselves? This is an issue the novel looks into.

My second book about prison is non-fiction. It’s called Dystopia. An inmate in my writing class joined me in telling the story of prison. We each wrote our stories, not in lesson form, but by relaying the stories of the men we met there.

I told why I came to teach in prison, despite my wife’s worry. Then I started with my first scary day and told about all the people I met in my class. One of the most amazing people I met was Mike Oulton. He’d been arrested in Mexico for trying to smuggle cocaine into the United States. His sentence was ten years, two of which he spent in a Mexican prison and eight of which he spent in a Canadian prison. Mike also tells stories of the men and the staff he met in all those years, and he hints at which prison system he liked better. Mike’s been out now for seven years and he’s doing well. He works as an MC and as a master of ceremonies for weddings. This is right in line with Mike’s whole life, but now he’s found legitimate ways to express his exuberant personality.

The third book about prison reform is my latest novel, Delaney’s Hope. Delaney is a prison official who put his feet up for twenty years. He tried at the beginning to make changes, but his superiors stepped on him, and so, he did nothing. But then his missionary brother died for standing up to the oil people who wanted to take his parishioners’ land. Delaney feels guilty about wasting all those years, and he tries to repent by setting up a prison that really works. He convinces the government to let him use an abandoned minimum security prison in Wisconsin.

At the beginning he will only have five prisoners and three staff, counting himself. The criminal history of each inmate is given, as well as a picture of the staff. Delaney tries to break down the ‘us and them’ that exist in every prison. He tries to show the inmates that we are all weak human beings and no one, including the staff, is perfect.

His inmates include a drug smuggler who tries to sabotage everything Delaney tries to do. Another man killed his wife in front of their son. A third inmate ran a commercial greenhouse and cheated on the rules. That might have been okay, but then he knocked an old man out of tree, a neighbor who opposed his plans. The old man died. A sheriff who wanted this land to build a big maximum security prison convinced a sex offender to come to the prison, where he presented Delaney with a lot of problems.

Another thing Delaney tries to deal with is the sexism of prisons. Yes, what we now mean by a male prison is not a place for women, but Delaney points out that almost all of society is mixed male and female. If he can create a calm atmosphere, there is no reason why male and female inmates can’t be integrated at least as far as programs are concerned.

The prison starts and Delaney faces problem after problem after problem. Will it work? Can a prison work that’s not like what we have today?

Prison reform is not a popular subject, but we need to face it. When we hear that California spends more money on prisons than it does on education, we begin to ask questions. When we hear that the United States is one of the countries with the most prisoners, it’s time to look at prison reform. And Canada now with its conservative government tries to win votes on the backs of inmates. Right-minded people do not agree.

I hope my two novels and one non-fiction book about prison reform will have an impact. When I started to write, I promised myself I would never bore the reader; I would show, not tell; I would not let one word of opinion enter the story. I hope I have succeeded.

Ed Griffin

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HorseI’m one of those people who believes in everything and nothing, so don’t take it amiss that I share a few thoughts with you at the beginning of this Year of the Wooden Horse. The book I’ve got on Chinese astrology (someone less able than I to accommodate ambivalence gave it to me) says horses always look terrific, have plenty of sex appeal and know how to dress, but that they’re also hotheaded, hotblooded and impatient. In the years when I was younger and used to give Chinese New Year’s Eve parties, there must have been a few horses among the crowd. If there were, I don’t remember them, so I can’t pass judgment on the accuracy of the book, but we sure had a lot of fun passing it around and guffawing at the descriptions.

But I digress. What I’m really here for is to wish all those who read this post the best of luck in the coming year. If, like me, you’re just starting out on the digital journey, my commiserations.

My goal, this year, is to release a dozen short stories, roughly one a month, ranging in length from 4,000 to 9,000 words, half of which are set in the Northern Rivers of New South Wales, Australia, an area I’ve lived in for the past thirty years and am still desperately in love with. I’m lucky enough to have a friend I met through this blog who is designing the first cover, but after that, I’ll be on my own in the formatting of both cover and story text.

Just how I’m going to manage, I have absolutely no idea. Designing the Smashwords versions of the stories won’t present many problems, thanks to the beautifully clear instructions in Mark Coker’s (Mark is CEO of Smashwords) Style Guide, obtainable free on the internet. Designing a Kindle version, however, is going to be more difficult. Both Smashwords and Kindle Direct Publishing (KDP) offer simple, pain-free translations of documents  from Word to Kindle, but what I’ve seen of the results doesn’t enchant me. However, whether I’ll ever be able to learn enough digitally to do better remains to be seen.

In short, just learning enough to put up those dozen stories in one form or another is my goal for the year. Wish me luck, everyone – and if anyone wants to tell me their goals for this Year of the Horse, I’m a good listener.

Horse drawing

Good luck to you all!

Dani

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MagnifiCat_Cover_for_Kindle

Anyone taking a casual look at the novel I’ve just put up on the web might be forgiven for thinking I need therapy.

Cat CartoonBut though the cats have the spotlight, many other Australian animals feature in this fantasy for adults — a porcupine policeman, a python bank manager, a kangaroo in the milk delivery business, etc. etc.

Aside from all the animals, though, that slide, hop, glide through this novel, and despite my determinedly lighthearted approach, the book’s theme of life below the poverty line gives it gravitas. It’s not as innocuous as it seems.

But enuff about the novel. Maybe it’s merely a drop in the digital ocean, but because I’m such a klutz digitally, I’m just happy to have survived the experience of getting it up there.

Take a look. It’s available in both e and print form. It’s certainly unusual.

http://www.amazon.com/dp/B00H0ORWQY

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Before we go any further, I suppose it would be a good idea to let you put a face to this writer, let you know who you’re dealing with, as it were.

This is one of the few photographs I have in which I look even halfway presentable. It was taken in Brisbane in 2010 (I know it’s almost seven years ago; I’m harder to photograph than a yeti) at the 50th reunion of agricultural scientists who graduated from Queensland University in years in ’58-’62 approximately.

What’s a person with a B. Agr. Sc. and a major in Plant Physiology doing writing fiction and editing/assessing manuscripts? It’s a l-o-n-g story …

For more, click on the About section above. For information about manuscript assessments or editing, please see: http://patrickdevalera.com

and click on Manuscript Development Services in the menu bar.

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